ALL SCI-FI

[orzel-w]

What's really scary is that the screw-up came from the ship's computer ("Mother"), in charge of watching over the welfare of the ship and occupants.
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...or not...

WayneO
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[The Spike]

Lets face it, it is a cover version...

But I liked it anyway >

Even the monkeys stood upright at some point.

Hee! Ridley Scott, it seems, is damned if he does and damned if he don't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.

Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.

Log cabin on the lake.

We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...

Crusoe and the pathogen.

From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.

Bed Bugs.

Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10
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The quality of mercy is not strnen.

[Bud Brewster]

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The trailer for this movie makes it look better than it is. But that's often true, I guess.
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_________ Alien: Covenant | Official Trailer [HD]


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Is there no man on Earth who has the wisdom and innocence of a child?
~ The Space Children (1958)

[ralfy]

Dreadful. They tried to borrow heavily from the first two movies, hoping to make it. Reminds me of the recent Mad Max movie.

I miss the way in which audiences can relate with characters, whether it's the space trucker crew in the first movie or the impressive chemistry of the soldiers in the second. Sadly, those are elements that can't be replaced by expensive special effects.

[Bud Brewster]

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Amen, Brother! You are preachin' to the choir.
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Is there no man on Earth who has the wisdom and innocence of a child?
~ The Space Children (1958)