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tmlindsey Quantum Engineer

Joined: 18 Jul 2022 Posts: 397 Location: NW Florida
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Posted: Sun Mar 26, 2023 3:27 pm Post subject: |
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Bud Brewster wrote: | I can't imagine how they could have taken the Banzai team and turn them into the characters in Big Trouble in Little China. Weird idea . . .  |
Since the original script for Big Trouble was a western set in the 1880s, I'd file that rumor under N for nonsense.
My wife loves BB...30+ years later, I still can't understand why. _________________ "Have you never wondered what it would be like to walk between the ticks and tocks of Time?" |
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Krel Space Ranger
Joined: 19 Feb 2023 Posts: 190
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Posted: Sun Mar 26, 2023 5:10 pm Post subject: |
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tmlindsey wrote: | Since the original script for Big Trouble was a western set in the 1880s, I'd file that rumor under N for nonsense. |
I never heard that before, interesting I'd like to know more. The information I have came from a Fox publicity man at a convention talk about a BB sequel that Fox was trying to make. Someone asked about "Buckaroo Banzai Versus the World Crime League", and he said the script was rewritten for BTILC. I also read that in a couple of magazines.
David. |
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tmlindsey Quantum Engineer

Joined: 18 Jul 2022 Posts: 397 Location: NW Florida
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Posted: Mon Mar 27, 2023 8:14 am Post subject: |
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The original script was completely re-written by W. D. Richter of Buckaroo Banzai, so that's probably where the rumor started.
From Wiki:
<snip>
The first version of the screenplay was written by first-time screenwriters Gary Goldman and David Z. Weinstein. Goldman had been inspired by a new wave of martial arts films that had "all sorts of weird actions and special effects, shot against this background of Oriental mysticism and modern sensibilities". They had written a Western originally set in the 1880s with Jack Burton as a cowboy who rides into town. Goldman and Weinstein envisioned what amounts to a Weird Western...combining Chinese fantasy elements within an Old West setting. They submitted the script to TAFT Entertainment Pictures executive producers Paul Monash and Keith Barish during the summer of 1982. Monash bought their script and had them do at least one rewrite but still did not like the results. He remembers, "The problems came largely from the fact it was set in turn-of-the-century San Francisco, which affected everything—style, dialogue, action". Goldman rejected a request by 20th Century Fox for a rewrite that asked for major alterations. He was angered when the studio wanted to update it to a contemporary setting. The studio then removed the writers from the project. However, they still wanted credit for their contributions.
The studio brought in screenwriter W. D. Richter, a veteran script doctor (and director of The Adventures of Buckaroo Banzai) to extensively rewrite the script, as he felt that the Wild West and fantasy elements did not work together. The screenwriter modernized everything. Almost everything in the original script was discarded except for Lo Pan's story. <snip>
There's even more on the full page.
It's another case of "if you didn't like 90% of the script, story and setting, WHY THE @#&! DID YOU BUY IT?" _________________ "Have you never wondered what it would be like to walk between the ticks and tocks of Time?" |
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